For fans of Philippa Gregory and Alison Weir, bestselling author C. W. Gortner effortlessly weaves history and drama in this captivating novel about one of the world’s most notorious families. Glamorous and predatory, the Borgias fascinated and terrorized fifteenth-century Renaissance Italy, and Lucrezia Borgia, beloved daughter of the pope, was at the center of the dynasty’s ambitions. Slandered as a heartless seductress who lured men to their doom, was she in fact the villainess of legend, or was she trapped in a familial web, forced to choose between loyalty and survival?
With the ascension of the Spaniard Rodrigo Borgia as Pope Alexander VI, a new era has dawned in Rome. Benefitting from their father’s elevation are the new pope’s illegitimate children–his rival sons, Cesare and Juan, and beautiful young daughter Lucrezia–each of whom assumes an exalted position in the papal court. Privileged and adored, Lucrezia yearns to escape her childhood and play a part in her family’s fortunes. But Rome is seductive and dangerous: Alliances shift at a moment’s notice as Italy’s ruling dynasties strive to keep rivals at bay. As Lucrezia’s father faces challenges from all sides, the threat of a French invasion forces him to marry her off to a powerful adversary. But when she discovers the brutal truth behind her alliance, Lucrezia is plunged into a perilous gambit that will require all her wits, cunning, and guile. Escaping her marriage offers the chance of happiness with a passionate prince of Naples, yet as scandalous accusations of murder and incest build against her, menacing those she loves, Lucrezia must risk everything to overcome the lethal fate imposed upon her by her Borgia blood.
Beautifully wrought, rich with fascinating historical detail, The Vatican Princess is the first novel to describe Lucrezia’s coming-of-age in her own voice. What results is a dramatic, vivid tale set in an era of savagery and unparalleled splendor, where enemies and allies can be one and the same, and where loyalty to family can ultimately be a curse.
I’ve been sitting on this review for a while, mulling over just how I would put it into words. As you will all know, mainly because I keep harping on about it, I’ve been delving into Borgia novels (and television adaptations) as part of my ongoing research into the Borgia family and how they are portrayed in the modern day media. I was recommended this book on twitter and set about reading it, hoping that it would be a tale that would wow me as much as Sarah Dunant’s fantastic novels.
Suffice to say I was hugely disappointed.
The story itself is a coming of age tale – it’s the story of how Lucrezia Borgia grows from a young, naive girl into a mature and confidant young woman. It goes through her trials and tribulations of growing up in the public eye and her disappointing first marriage. It goes through her relationship with her family – how she was close to her brother Cesare, and her father, Rodrigo; how she was not close with her mother or her other brother Juan. And I will give it one thing – it’s well written in many ways, making it a quick and easy read.
However, the research that went into this novel is utterly non existent in my opinion. Gortner portrays many characters who were not villains as villains in their own right. Take for example her first husband, Giovanni Sforza. We know from the history that he was a bit of a weak man who proved himself to be less than useful to the Borgia family, but he was certainly no villain. But Gortner makes him out to be an awful human being – and it’s boring. It’s boring and it’s repetitive and it started to become a chore to get through the parts of the story that involved him. And then there is the character of Vanozza who is made out to be a nasty piece of work who cares nothing at all for her family, only for herself. Her character was boring and really quite one dimensional.
And then there are the rumours of incest. Rather than trying to write a novel based on the TRUE story and how the incest was nothing more than rumour, Gortner wrote the rumours into the story. And not in a good way. Not to spoil it for anyone, but there is a rather horrendous scene in which Juan forces himself upon his sister. That and he twisted the existence of the Infans Romanus into being fathered by Juan. Many of you will probably say “It’s just a novel, what does it matter?” but in all honesty it made me feel really quite sick to read it.
Novels such as this are often stepping stones into history but, like with television dramatisations, they are often treated as fact. It doesn’t help that in the authors notes at the back, he says that Rodrigo Borgia was killed by poison. This has never been proven and in fact was more likely to be malarial fever, which was rampant in Rome at the time of his death. To make out such things are fact is incredibly sloppy.
Despite this book being well written, I would not recommend this novel at all. It turns Lucrezia’s story into a rather trashy soap opera, twisting the rumours to suit the plot of the story. It’s certainly not one I’ll be going back to.